Today, the conclusion of an article that originally appeared in Asia and the Americas magazine in July, 1946, written and illustrated by William A. Smith:
"At Hsian, previous to coming to Weihsien, I had gone over to visit and make a sketch of George Barr, one of the Doolittle fliers rescued by our team that had jumped into Peking."
"Kept in solitary confinement for the duration of the war, suffering from beri-beri and having been horribly beaten by brutal Japanese guards, Barr presented a terrible picture of the atrociousness of war. Greenishly pale, staring vacantly at the broken knuckles of his hands, he was unable to recognize or talk to any one. I was so overwhelmed by the sight that I couldn’t draw, but it was so vivid that I could sketch it today from memory."
"This experience emphasized the comparative good fortune of the civilians who were interned at Weihsien. They were subject to hardships and indignities, but they were certainly not victims of torture and brutality."
"The length of the internment perhaps had a greater effect upon the children than upon the adults. Many of the children know of no other way of life."
"One small child, upon reaching the coast and seeing the ocean for the first time, exclaimed, “Oh mommy, what a large cesspool!”
* My sincere thanks to Kim Smith, William A. Smith's daughter, who provided the text from this article, along with all of the scans. Some of this week's images were from William A. Smith's other OSS missions around China during W.W.II.
For those interested in learning more about the Weihsien Prison camp, Kim has provided a number of photographs which I have archived here. As well, Kim located an extensive website about Weihsien that includes "documents, paintings, sketches, texts and memories" of the survivors of the camp.
As a final treat, Kim sent along this drawing done - not by her dad, but rather of him - by another artist who's career we've previously looked at: Gilbert Bundy.
After the war, Bill Smith continued to travel extensively throughout Asia (and Africa) and this drawing was done "on a USO junket to Korea in '51 or '52, when a group of illustrators went to entertain the troops. They wore their own old Army uniforms," writes Kim, "I guess to fit in."